Abstractions of Reality Past and Incredible Feathers
by
Binker Golding
supported by
freejazzy
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Yes, I do understand this epic question about Rollins especially and Coltrane in a way. The playing is centered and doubtfree. Very supportive.
Favorite track: I Forgot Santa Monica.
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This touches me deeply. Thank you for this Window to the Memory of your Past. most played Album of 2024 so far here. 🤙🏼
Favorite track: Skinned Alive, Tasting Blood.
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Includes unlimited streaming of Abstractions of Reality Past and Incredible Feathers
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
"Is Binker Golding the new Sonny Rollins? The new Coltrane? Or both?” - MOJO
"Like those saxophone colossi whose respective roots lay in calypso and roadhouse R&B, Binker opts to shake hips first, stroke beards second." - Q
"Somewhere between George Coleman and Sam Rivers" - Richard Williams, The Blue Moment
On Abstractions:
"Exceptional" - Gilles Peterson
"... A furiously inventive conversation between Sonny Rollins and broken beat." - Clash Magazine
"Binker's keening melodic lines are as intricate and impressionistic as the title." - The Guardian
Voted #2 Best Jazz Album of 2024 by MOJO Magazine
Binker Golding truly is the saxophonist of the moment. A highly skilled musician, accomplished composer, and occasional conductor, Golding has performed with everyone from Moses Boyd and Yussef Dayes to Evan Parker and Denys Baptise. 'Abstractions of Reality Past and Incredible Feathers' is his first quartet album, and typically, it goes against the grain.
The album constitutes a departure from Binker's more rhythm and riff-heavy collaboration with Moses Boyd as well as his avant-garde project with Elliott Galvin. With all compositions and arrangements by the band leader, there is a greater emphasis on harmonic and melodic development, harking back to the more through-composed jazz fusion of the 80s and 90s. All tracks were recorded at the legendary Abbey Road Studios and mixed by James Farber, whose prolific discography includes albums by Brad Meldhau, Michael Brecker, and Joe Lovano. Expect a contemporary twist in the form of London jazz scene heavyweights; Joe Armon-Jones on piano, Daniel Casimir on double bass, and Sam Jones on drums.
Binker explains the inspiration behind the material:
"The album is about experiences I had throughout my teenage years & twenties. Its about remembering, forgetting, thinking you've forgotten & remembering again. It's about people & friends that you'll never see again & times that you can't go back to, so you have to settle for the memory of them instead, whilst holding on to some hope for the future".
supported by 68 fans who also own “Abstractions of Reality Past and Incredible Feathers”
I tend to think of Jazz/Ambient/Electronica as more tenously anchored in the world, but Driftglass were one of several engaged & active artists in the 2024 Mercury nominees: their passion and criticism for the behaviour of the government clearly fuelling their creativity ios上推特教程
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There Is A Place by Maisha
supported by 59 fans who also own “Abstractions of Reality Past and Incredible Feathers”
This is just one hell of a groovy album. Eaglehurst/The Palace just busts down dancefloors. Great to see the original jazz dancers getting down to something so new and fresh, better yet to see a whole new scene buiding. It's the real deal. Paul Murphy
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Seriously!!! Been listening to this EP for months. Excellent intro for Ti-de; Uman and Adwa are such a tight groove but every version I’ve heard of Abusey Junction is a masterpiece!
Cheers from Canada :) ios上推特教程
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